For finding metric problems, you can also filter for glyphs that have auto-alignment in place ( Is Auto-Aligned), and whether the metrics keys are out of sync. Look closely, you can also filter for Category and Subcategory, or whether the glyph has customized glyph info ( Has Custom glyph Info). And as a side effect, we have gotten rid of those pesky error messages. As a tribute to our beloved Netscape Navigator (R.I.P.), we changed the way missing images are displayed. People who work with placed images will love this. This is very useful for building in-strokes and out-strokes in Arabic letters and other connected scripts, but it can be used for anything you can think of, really. But then, it uses the spacing of the second glyph. What it does is move the second glyph to overlap the anchors, just like with the attachment described above. Leave out the hashtag if you also want the cursive attachment feature code. The component positioning works exactly like the cursive attachment for Urdu. Add an #exit anchor to the first and an #entry anchor to the second glyph. Sometimes, you need to align shapes, but can’t use normal alignment since it just won’t fit well enough. Did I say exit and entry for positioning components? You bet I did. This is useful if you want to use these anchors for positioning components only, and save on the final file size by avoiding a bloated GPOS table. A # works well, but emojis work just as well, so you can let your alignment anchors smile with □exit and □entry, or □top and _□top. If, however, you want to prevent Glyphs from generating the positioning code, you can now prefix the anchor name with a non-letter. E.g., top and bottom will cause the automatic creation of mark attachment code, exit and entry are used for cursive attachment in Arabic. In other words, if the base glyph has an anchor, e.g., connect, and the attached glyph has one with the same name, but prefixed with an underscore, _connect in our example.Ĭareful though, attachment anchors are also used for generating glyph positioning features. But now, all glyphs that have matching anchors will be attached by default when used as components in a compound glyph. That means that anchors are used to position a shape relative to another one. Attachment is the second major way of automatic component positioning.To do that, simply right-click a component and choose Enable Automatic Alignment from its context menu. Try it, it’s cool.Īnd then, you can now force automatic alignment for any component, not just the default cases. The small-number alignment behaves differently: only the horizontal placement is enforced automatically, following the italic angle if needed. That includes subscript, superscript, and fraction figures. Apart from letters, alignment is now on by default for Spacing Combining marks and small figures. Aligning takes both spacing and kerning into account. They are put next to each other just as if you would type them. Take, for instance, two letter components. There are two different ways components are positioned automatically. It is time for a little recap, because every Glyphs user should know this. It will not be exported into the OpenType font. Import monochrome images and use them as reference.Type in anything you like. Import vectors or bitmapsĬopy-paste vectors from Adobe Illustrator or import AI/EPS outline artwork. Of course, all paintings are undoable, editable and may be transformed in any way with all editing tools. Black color adds painted strokes to the character’s shape and white color subtracts strokes, working as very powerful eraser. All VectorPaint tools may be used in vector mode or in “black” (filled) or “white” (transparent) colors. This feature gives designers unprecedented freedom in creation of new outlines. TypeTool includes unique VectorPaint technology that simulates bitmap tools in vector-editing environment. With numeric and freeform Transformations, both manual and font-wide, you can quickly adjust your glyphs to match your design VectorPaint The combination of the Pen, Rectangle, Ellipse, Knife and Eraser tools allows you to create precise Bézier curves. TypeTool 3 has the same key drawing tools as FontLab Studio 5, which many designers have considered their favorite Bézier drawing tool for more than a decade.
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